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Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda
Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda

Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda

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Reassessing Alabaster Sculpture in Medieval EnglandAuthor(s): Elizabeth Cover Teviotdale, Jessica Caroline Brantley, Stephen Perkinson\nFormat: Hardback\nPublisher: De Gruyter, United States\nImprint: De Gruyter Mouton\nISBN-13: 9781501518126, 978-1501518126\nSynopsis\nThis volume offers fresh approaches to the material and the subject matter of late medieval English alabaster sculptures, bringing them into dialogue with twenty-first-century scholarship on pre-modern visual culture. The book comprises an introduction by Brantley and Perkinson; ten essays by scholars trained in the history of medieval art and/or medieval English literature, including Brantley and Perkinson; and an afterword by Paul Binski.

Reassessing Alabaster Sculpture in Medieval England by Elizabeth Cover Teviotda

Reassessing Alabaster Sculpture in Medieval EnglandAuthor(s): Elizabeth Cover Teviotdale, Jessica Caroline Brantley, Stephen Perkinson\nFormat: Hardback\nPublisher: De Gruyter, United States\nImprint: De Gruyter Mouton\nISBN-13: 9781501518126, 978-1501518126\nSynopsis\nThis volume offers fresh approaches to the material and the subject matter of late medieval English alabaster sculptures, bringing them into dialogue with twenty-first-century scholarship on pre-modern visual culture. The book comprises an introduction by Brantley and Perkinson; ten essays by scholars trained in the history of medieval art and/or medieval English literature, including Brantley and Perkinson; and an afterword by Paul Binski.

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